Duchamp Is My Lawyer: The Polemics, Pragmatics, and Poetics of UbuWeb
(eBook)

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Published
Columbia University Press, 2020.
ISBN
9780231546911
Status
Available Online

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Format
eBook
Language
English

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APA Citation, 7th Edition (style guide)

Kenneth Goldsmith., & Kenneth Goldsmith|AUTHOR. (2020). Duchamp Is My Lawyer: The Polemics, Pragmatics, and Poetics of UbuWeb . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Kenneth Goldsmith and Kenneth Goldsmith|AUTHOR. 2020. Duchamp Is My Lawyer: The Polemics, Pragmatics, and Poetics of UbuWeb. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Kenneth Goldsmith and Kenneth Goldsmith|AUTHOR. Duchamp Is My Lawyer: The Polemics, Pragmatics, and Poetics of UbuWeb Columbia University Press, 2020.

MLA Citation, 9th Edition (style guide)

Kenneth Goldsmith, and Kenneth Goldsmith|AUTHOR. Duchamp Is My Lawyer: The Polemics, Pragmatics, and Poetics of UbuWeb Columbia University Press, 2020.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID2727dec8-f2de-f708-11a3-70fae5df8ee0-eng
Full titleduchamp is my lawyer the polemics pragmatics and poetics of ubuweb
Authorgoldsmith kenneth
Grouping Categorybook
Last Update2022-10-18 20:25:43PM
Last Indexed2024-04-20 02:45:36AM

Book Cover Information

Image Sourcehoopla
First LoadedApr 1, 2022
Last UsedApr 4, 2023

Hoopla Extract Information

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    [synopsis] => In 1996, during the relatively early days of the web, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. What started out as a site to share works from a relatively obscure literary movement grew into an essential archive of twentieth- and twenty-first-century avant-garde and experimental literature, film, and music. Visitors around the world now have access to both obscure and canonical works, from artists such as Kara Walker, Yoko Ono, Pauline Oliveros, Samuel Beckett, Marcel Duchamp, Cecil Taylor, Glenn Ligon, William Burroughs, and Jean-Luc Godard.

In Duchamp Is My Lawyer, Goldsmith tells the history of UbuWeb, explaining the motivations behind its creation and how artistic works are archived, consumed, and distributed online. Based on his own experiences and interviews with a variety of experts, Goldsmith describes how the site navigates issues of copyright and the ways that UbuWeb challenges familiar configurations and histories of the avant-garde. The book also portrays the growth of other "shadow libraries" and includes a section on the artists whose works reflect the aims, aesthetics, and ethos of UbuWeb. Goldsmith concludes by contrasting UbuWeb's commitment to the free-culture movement and giving access to a wide range of artistic works with today's gatekeepers of algorithmic culture, such as Netflix, Amazon, and Spotify.
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