Una Marson
(eAudiobook)

Book Cover
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Published
The University of the West Indies Press, 2020.
ISBN
9789766408275
Status
Available Online

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Physical Description
2h 9m 0s
Format
eAudiobook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Various Authors., Various Authors|AUTHOR., & Janet Kennedy|READER. (2020). Una Marson . The University of the West Indies Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Various Authors, Various Authors|AUTHOR and Janet Kennedy|READER. 2020. Una Marson. The University of the West Indies Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Various Authors, Various Authors|AUTHOR and Janet Kennedy|READER. Una Marson The University of the West Indies Press, 2020.

MLA Citation, 9th Edition (style guide)

Various Authors, Various Authors|AUTHOR, and Janet Kennedy|READER. Una Marson The University of the West Indies Press, 2020.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID2b26a124-d1ef-368a-f026-2438e8f186d7-eng
Full titleuna marson
Authorauthors various
Grouping Categorybook
Last Update2022-10-18 20:25:43PM
Last Indexed2024-05-04 02:47:09AM

Book Cover Information

Image Sourcehoopla
First LoadedDec 28, 2023
Last UsedApr 16, 2024

Hoopla Extract Information

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    [synopsis] => Una Marson's work embodied anti-colonialism, anti-racism, feminism, class politics and pan-Africanism in the first half of the twentieth century. Her poetry and dramatic work symbolically ushered in a new era in Jamaica's literary landscape and her efforts in championing early Jamaican literature, as well as her avid support for Caribbean writers in Britain and the region, made her a key proponent of the development of a national and West Indian literary canon. She challenged racial inequality, affirmed standards of black beauty and black identity, and explored the complexities of gender, religious discrimination and class/economic exploitation. She did not frame her work around a single cause but, instead, she was mindful of the multiple intersections of oppression. Britain's hold on Jamaica's cultural imagination would finally be challenged by artists like Marson who were eager to free their nation of colonial authority and cultural dominance. In the end, through her advocacy and pioneering work, Marson achieved a voice for the oppressed.
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