The R?m?yana of Valm?ki
(eAudiobook)

Book Cover
Average Rating
Published
Ukemi Audiobooks from W. F. Howes Ltd, 2024.
ISBN
9781004165339
Status
Available Online

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Physical Description
43h 30m 0s
Format
eAudiobook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Ralph T. H. Griffith., Ralph T. H. Griffith|AUTHOR., & Sagar Arya|READER. (2024). The R?m?yana of Valm?ki . Ukemi Audiobooks from W. F. Howes Ltd.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Ralph T. H. Griffith, Ralph T. H. Griffith|AUTHOR and Sagar Arya|READER. 2024. The R?m?yana of Valm?ki. Ukemi Audiobooks from W. F. Howes Ltd.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Ralph T. H. Griffith, Ralph T. H. Griffith|AUTHOR and Sagar Arya|READER. The R?m?yana of Valm?ki Ukemi Audiobooks from W. F. Howes Ltd, 2024.

MLA Citation, 9th Edition (style guide)

Ralph T. H. Griffith, Ralph T. H. Griffith|AUTHOR, and Sagar Arya|READER. The R?m?yana of Valm?ki Ukemi Audiobooks from W. F. Howes Ltd, 2024.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID1f9631b1-03a8-f553-1d08-9aa50cadea0b-eng
Full titler m yana of valm ki
Authorgriffith ralph t h
Grouping Categorybook
Last Update2024-05-15 02:01:03AM
Last Indexed2024-05-25 02:38:38AM

Book Cover Information

Image Sourcehoopla
First LoadedMay 15, 2024
Last UsedMay 15, 2024

Hoopla Extract Information

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    [synopsis] => The ancient Indian Sanskrit epic the Ramayana was composed some time between the first and fifth centuries BCE. As is the case with most ancient literature firmly rooted in the oral tradition, precise dating is problematic. Traditionally attributed to the sage Valmiki, and composed in rhyming couplets, it is one of the two great Indian epics (the other being the Mahabharata); consequently it is known and revered not just throughout the Indian subcontinent but also in South-East Asian countries as well, including Cambodia, Thailand, Malaysia and Indonesia - indeed wherever Hindu culture became established. 

It relates the tale of a Prince of Ayodhya, Rama, and recounts the various episodes of his exile and subsequent return. The narrative follows Rama's quest and rescue mission, bringing home his beloved Sita from the clutches of the demon king of Lanka, Ravana, aided by an army of monkeys. While the basic story involves palace politics and battles with demon tribes, it is also infused with ethics, philosophy, logic and notes on duty. 

In the Mahabharata, characters are presented with all their human follies and failings; the Ramayana by contrast leans towards an ideal state of things. For instance, Rama is the ideal son and king, Sita the ideal wife, Hanuman the ideal devotee, Lakshman and Bharat the ideal brothers, and even Ravana, the demon villain, is not entirely despicable. This translation, by Ralph T. H. Griffith, first published in 1870, was the first complete English version and has retained its initial reputation as an outstanding achievement - as much for its literary as its scholastic qualities. 

There are six Books or Khandas (a seventh which is sometimes included is generally regarded as a much later addition) containing some 24,000 verses which, as with the original, are presented in rhyming couplets. This makes the Ramayana of a similar length to the Iliad and Odyssey combined, and there are a handful of occasions when, to avoid repetition, Griffith inserts a prose précis. 

Curiously he declined to translate The Glory of Uma followed by The Birth of Kartikeya in Book 1 on the grounds that it might offend the sensibility of his contemporaries! As one commentator remarked, Griffith was sometimes reluctant to 'show much leg.' In this case, the 'offending' verses have been newly translated for this Ukemi recording by Anwesha Arya, and delightful they are too! 

The Ramayana and its stories have been part of the cultural life and language of the reader, Sagar Arya, since childhood; thus this recording was especially important to him, and he infuses it with a special understanding and authority.
It relates the tale of a Prince of Ayodhya, Rama, and recounts the various episodes of his exile and subsequent return. The narrative follows Rama's quest and rescue mission, bringing home his beloved Sita from the clutches of the demon king of Lanka, Ravana, aided by an army of monkeys. While the basic story involves palace politics and battles with demon tribes, it is also infused with ethics, philosophy, logic and notes on duty. 

In the Mahabharata, characters are presented with all their human follies and failings; the Ramayana by contrast leans towards an ideal state of things. For instance, Rama is the ideal son and king, Sita the ideal wife, Hanuman the ideal devotee, Lakshman and Bharat the ideal brothers, and even Ravana, the demon villain, is not entirely despicable. This translation, by Ralph T. H. Griffith, first publi
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