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First published in a 1842 edition of Graham's Lady's and Gentleman's Magazine, The Masque of the Red Death tells the story of Prince Prospero as he tries to avoid a plague by confining himself and his nobles to a masquerade in an abbey. Often considered a gothic allegory, the story reflects on not only life and death but also the illusion of control.

The story follows a man of noble descent who calls himself William Wilson because, although denouncing his past, he does not accept responsibilities blame for his actions, saying that "man was never thus [...] tempted before". After several paragraphs, the narration then segues into a description of Wilson's boyhood, which was spent in a school "in a misty-looking village of England." William meets another boy in his school who shared the same name,...

First published in a 1841 edition of Graham's Magazine, The Murders in the Rue Morgue is often cited as the first modern detective story. The first of three stories to center around C. Auguste Dupin, Poe's fictional detective, The Murders in the Rue Morgue involves Dupin's investigation of two women's murders. Establishing many of the tropes that would later become common to detective fiction, the story begins with an explanation of Dupin's theory...

First published in a 1843 edition of The Saturday Evening Post, The Black Cat tells the story of a man and his increasingly antagonistic relationship with his cat. Akin to The Tell-Tale Heart and The Cask of Amontillado, The Black Cat investigates the psychological effects of guilt as well as the potentially destructive and violent consequences of alcoholism.

The unnamed narrator describes the qualities of Ligeia, a beautiful, passionate and intellectual woman, raven-haired and dark-eyed, that he thinks he remembers meeting "in some large, old decaying city near the Rhine." He is unable to recall anything about the history of Ligeia, including her family's name, but remembers her beautiful appearance. Her beauty, however, is not conventional. He describes her as emaciated, with some "strangeness." He describes...

First published in a 1842 literary annual The Gift: A Christmas and New Year's Present for 1843, The Pit and the Pendulum takes place during the Spanish Inquisition and follows the plight of a prisoner in a cell that has a pit and a pendulum. Unlike many of Poe's short stories, The Pit and the Pendulum does not rely on any supernatural elements to inspire fear but instead uses the narrator's heightened sensory experiences to do so.

The story opens with the narrator recounting a summer sea voyage from aboard the ship 'Independence'. The narrator learns that his old college friend Cornelius Wyatt is aboard with his wife and two sisters, though he has reserved three state-rooms. After conjecturing the extra room was for a servant or extra baggage, he learns his friend has brought on board an oblong pine box: "It was about six feet in length by two and a half in breadth." The narrator...

The scenario of this work is atypical for Poe. The narrator begins his tale by commenting that "the higher order of music is the most thoroughly estimated when we are exclusively alone." Only then, he states, can its "spiritual uses" be fully appreciated. "But there is one pleasure still within the reach of fallen mortality--and perhaps only one--which owes even more than does music to the accessory sentiment of seclusion. I mean the happiness experienced...

Within their refuge from a terrible plague called the Red Death, Prince Prospero and his court hold an opulent masquerade ball. But one uninvited guest means death for everyone. A pioneer of the short story genre, Poe's stories typically captured themes of the macabre and included elements of the mysterious. His better-known stories include "The Fall of the House of Usher", "The Pit and the Pendulum", "The Murders in the Rue Morgue", "The Masque...

Eine kurze Geschichte von Edgar Allan Poe aus dem Reich der Toten.